MOBZILLA RADIO

Biografía

UK duo Elliot Morgan and Nick Woolfson make some of the most stunningly rich, dynamic, bass-heavy downtempo instrumentals on the planet. They are pioneers of ambient dub, an exotic style first championed by defunct UK label Beyond Records and then picked up and continued to this day by North American label Waveform. Although dub in its original form is the tripped-out instrumental flipside of reggae, there is quite often no overtly Jamaican flavour to Morgan and Woolfson's work. The dub element is more in the recording techniques (looping, echo, etc) and lovingly produced basslines that rumble, slide and snake their away around the room with enormous presence. Neither is the duo's take on dub the minimalist approach of modern purists. They concoct soulful, exotic and tuneful widescreen panoramas, wound together with muscular rhythms and big, crisp drum loops that sometimes have a tribal or ethnic edge. Rhythmic downtempo from the psychedelic trance scene owes quite lot to these guys: listen and learn. The debut Kin immediately marks the pair as artists with extraordinary melodic gifts. Listen to "Triangle" as just one example of their ability to build and layer multiple lines with the kind of finesse summoned by Berlin's old-school ambient trance pioneers. Explorations of tones and melody seem to be at the centre of everything that Sounds From The Ground creates. This is not listening electronica that alienates - it seduces, humanises, liberates. What's more, despite rarely being over the 100 bpm tempo mark, it makes you want to dance. Terra Firma shows the duo expanding their horizons - not that they were ever narrow to start with - and succeeding in everything they try their hand at. "Marshmello" is a piece of 21st century jetset lounge that wouldn't sound out of place in a James Bond film, while the electric piano groove and brass flourishes of "The Cut" suggest a nod to nu jazz. The creeping groov

Álbumes

Kin

Canciones