Heaven 17 is a British synthpop band originating in Sheffield, South Yorkshire, England, United Kingdom formed in 1980. Taking their name from a fictional pop group mentioned in Anthony Burgess's novel A Clockwork Orange (where 'The Heaven Seventeen' are at number 4 in the charts with 'Inside' [1]), Heaven 17 formed when Ian Craig Marsh and Martyn Ware split from their earlier group The Human League and formed production company British Electric Foundation (BEF). Shortly after, they recruited their good friend and photographer Glenn Gregory on vocals to complete their lineup for Heaven 17. Contrary to popular belief, they were not New Romantics and shared few visual characteristics with groups such as Spandau Ballet and Culture Club. Like The Human League, Heaven 17 heavily used synthesizers and drum machines. They had a few minor hits including the early 'Play To Win' which featured on the album Penthouse and Pavement. Their debut single '(We Don't Need This) Fascist Groove Thang' from the same album attracted some attention, became a left-wing anthem for a while, and was banned by the BBC because of its overtly political lyrics, but it still reached number 45 in the U.K. singles chart. Major chart success eluded them until the single 'Temptation' (in which they were augmented by the vocalist Carol Kenyon) reached number 2 in the U.K. charts in summer 1983. Other songs from the same album, The Luxury Gap, also charted though not as high - 'Come Live With Me' reached number 5 in the U.K., 'Crushed By The Wheels Of Industry' reached number 17, and 'Let Me Go', reaching 41 in November 1982. The album itself charted at their best ever position, number four. At the end of 1983, the band helped launch Tina Turner's solo career, producing and providing backing vocals on her debut hit 'Let's Stay Together'. 1984 featured the release of the moderately successful How Men Are, which reached number 12. The band also worked on the Band Aid single at the en
1 | Play to Win | The Best Of Heaven 17 |
2 | Come Live With Me (Live) | How Live Is |
3 | We Live so Fast | Higher and Higher |
4 | Crushed By The Wheels Of Industry | Endless |
5 | Geisha Boys And Temple Girls | Penthouse And Pavement |
6 | Sunset Now | Endless |
7 | Let Me Go (Live) | How Live Is |
8 | Facist Groove Thang (Live) | How Live Is |
9 | Let Me Go | Just Can't Get Enough: New Wave Hits Of The '80s, Vol. 6, |
10 | I'm Your Money | The Best Of Heaven 17 |
11 | Soul Warfare | Penthouse And Pavement |
12 | This is Mine | The Best Of Heaven 17 |
13 | Song With No Name | Penthouse And Pavement |
14 | Counterforce | Endless |
15 | Temptation (Live) | How Live Is |
16 | The Height Of The Fighting | Penthouse And Pavement |
17 | Trouble | The Best Of Heaven 17 |
18 | Let Me Go | Just Can't Get Enough: New Wave Hits Of The '80s, Vol. 15 |
19 | Let's All Make A Bomb | Penthouse And Pavement |
20 | (We Don't Need This) Fascist Groove Thang | Just Can't Get Enough: New Wave Hits Of The '80s, Vol. 15 |