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Heaven 17

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ABC Studio Orchestra Berlin Haircut One Hundred Soft Cell Spandau Ballet Thomas Dolby The Thompson Twins Tom Tom Club Yaz OMD

Biografía

Heaven 17 is a British synthpop band originating in Sheffield, South Yorkshire, England, United Kingdom formed in 1980. Taking their name from a fictional pop group mentioned in Anthony Burgess's novel A Clockwork Orange (where 'The Heaven Seventeen' are at number 4 in the charts with 'Inside' [1]), Heaven 17 formed when Ian Craig Marsh and Martyn Ware split from their earlier group The Human League and formed production company British Electric Foundation (BEF). Shortly after, they recruited their good friend and photographer Glenn Gregory on vocals to complete their lineup for Heaven 17. Contrary to popular belief, they were not New Romantics and shared few visual characteristics with groups such as Spandau Ballet and Culture Club. Like The Human League, Heaven 17 heavily used synthesizers and drum machines. They had a few minor hits including the early 'Play To Win' which featured on the album Penthouse and Pavement. Their debut single '(We Don't Need This) Fascist Groove Thang' from the same album attracted some attention, became a left-wing anthem for a while, and was banned by the BBC because of its overtly political lyrics, but it still reached number 45 in the U.K. singles chart. Major chart success eluded them until the single 'Temptation' (in which they were augmented by the vocalist Carol Kenyon) reached number 2 in the U.K. charts in summer 1983. Other songs from the same album, The Luxury Gap, also charted though not as high - 'Come Live With Me' reached number 5 in the U.K., 'Crushed By The Wheels Of Industry' reached number 17, and 'Let Me Go', reaching 41 in November 1982. The album itself charted at their best ever position, number four. At the end of 1983, the band helped launch Tina Turner's solo career, producing and providing backing vocals on her debut hit 'Let's Stay Together'. 1984 featured the release of the moderately successful How Men Are, which reached number 12. The band also worked on the Band Aid single at the en

Álbumes

Endless
Endless
Just Can't Get Enough: New Wave Hits Of The '80s, Vol. 15
Just Can't Get Enough: New Wave Hits Of The '80s, Vol. 15
Just Can't Get Enough: New Wave Hits Of The '80s, Vol. 6,
Just Can't Get Enough: New Wave Hits Of The '80s, Vol. 6,
Living in Oblivion: The 80's Greatest Hits, Vol. 2
Living in Oblivion: The 80's Greatest Hits, Vol. 2
Richard Blade's Flashback Favorites
Richard Blade's Flashback Favorites
The Best Of Heaven 17
The Best Of Heaven 17

Canciones

1 Let Me Go Living in Oblivion: The 80's Greatest Hits, Vol. 2
2 Let Me Go (Live) How Live Is
3 Let Me Go (Extended 12" Mix) Richard Blade's Flashback Favorites
4 (We Don't Need This) Fascist Groove Thang Just Can't Get Enough: New Wave Hits Of The '80s, Vol. 6,
5 We're Going To Live For A Very Long Time Penthouse And Pavement
6 (We Don't Need This) Fascist Groove Thing The Best Of Heaven 17
7 Crushed By The Wheels Of Industry Endless
8 Facist Groove Thang (Live) How Live Is
9 Trouble The Best Of Heaven 17
10 (We Don't Need This) Fascist Groove Thang Just Can't Get Enough: New Wave Hits Of The '80s, Vol. 15
11 This is Mine The Best Of Heaven 17
12 Come Live With Me (Live) How Live Is
13 Temptation (Live) How Live Is
14 Counterforce Endless
15 And That's No Lie II Endless
16 Soul Warfare Penthouse And Pavement
17 Geisha Boys And Temple Girls Penthouse And Pavement
18 Temptation The Best Of Heaven 17
19 Come Live With Me Electric Dreams CD 1
20 We Live so Fast Higher and Higher